Rating 2/5
What Is Good
- Cinematography
- Songs
What Is Bad
- Characterizations
- Direction
- Song Situations
- Editing
- Story
- Formulaic Screenplay
Mukunda Review - Story
Mukunda (Varun Tej), a
good Samaritan, helps his friend in eloping with his friend’s girl friend, who
in turn is a sister of local corrupt municipal chairman (Rao Ramesh). Arjun is
always on run to escape from Rao Ramesh’s brothers, and Mukunda always there to
rescue him from the goons. In this process of helping his friend’s love,
Mukunda gets attracted Pooja Hegde who is younger daughter of Rao Ramesh. Once
again election time arrives, Mukunda spoils Rao Ramesh’s plans and makes
Prakash Raj nominee for the ward elections. Then this tends to climax. Will
Arjun marry his girl friend? Will Prakash win over Rao Ramesh? forms the rest
of the storyline.
Mukunda Review - Star Performance
One more star son debuts
in Tollywood, Varun Tej, son of Megabrother Naga Babu. Varun tries hard to
deliver an honest performance, but doesn’t convey the various moods with much
eminence. He uses his mediocre set of expressions in his limited repertory.
Pooja Hegde looks million bucks, but her acting needs to get polished. She
isn’t bad, but needs to be much better. Rao Ramesh has done justice to the role
of a doting father and a corrupt politician. Prakash Raj other than giving fact
quotes has nothing much to do in this film. Paruchuri Venkateswara Rao, Nassar,
Staya Dev, Raghu Babu and the new comers are confined to small roles and their
characters hardly offer anything substantial to the story that has loopholes
the size of lunar creators. Even poor writing and lazy direction let them down.
Mukunda Review - Techinical Team
The story setup will
give you a feeling as if you are watching a film which was completed in the
90-00s but released in 2014. Director Srikant Addala is sincere on his part,
the screenplay is not befitting the premise of its lead characters. Mukunda
doesn’t have the required depth to take the story or the characters parts
forward with its narrative.
If the plot sounds clinched and bears similarity to the dozen Tollywood commercial entertainers, you will be even more surprised or should we say shocked with the twist given to the tale in the Interval. And it does! After the interval, the twist shown elevates the narrative to a great extent. Just as you feel Srikanth Addala has finally steadied the sinking ship, it plumps and again goes awry. The hurried climax doesn’t help. Though the screenplay and the overall treatment are easy on eye, it’s the immatureness with which the lead characters are dealt with that makes the outcome look disjointed. The graph of the narrative is low as the film begins and is the same till the intermission. Just like Pooja Hegde’s character. You desperately want the film to get better till the end. The dialogues are spectacularly inipid. “Vadi chhuppulu artham avvali ante vache janma lo ammalia puttali”, “Bus-lu manashulane kadhu vala ashalu korikalanu kuda mosthayyi”.
As far as the film’s music is concerned, Mickey J Meyer’s compositions are soothing, but the songs are not appropriately placed – Goppikamma and Chaala Bagundi being particularly hummable. The cinematography is neat. The locales add too much of freshness and supports the film in giving that ultra cool look. Film is totally dragged in the second half, editor could have easily trimmed of 15 minutes odd. Production Value of Leo Productions is good.
If the plot sounds clinched and bears similarity to the dozen Tollywood commercial entertainers, you will be even more surprised or should we say shocked with the twist given to the tale in the Interval. And it does! After the interval, the twist shown elevates the narrative to a great extent. Just as you feel Srikanth Addala has finally steadied the sinking ship, it plumps and again goes awry. The hurried climax doesn’t help. Though the screenplay and the overall treatment are easy on eye, it’s the immatureness with which the lead characters are dealt with that makes the outcome look disjointed. The graph of the narrative is low as the film begins and is the same till the intermission. Just like Pooja Hegde’s character. You desperately want the film to get better till the end. The dialogues are spectacularly inipid. “Vadi chhuppulu artham avvali ante vache janma lo ammalia puttali”, “Bus-lu manashulane kadhu vala ashalu korikalanu kuda mosthayyi”.
As far as the film’s music is concerned, Mickey J Meyer’s compositions are soothing, but the songs are not appropriately placed – Goppikamma and Chaala Bagundi being particularly hummable. The cinematography is neat. The locales add too much of freshness and supports the film in giving that ultra cool look. Film is totally dragged in the second half, editor could have easily trimmed of 15 minutes odd. Production Value of Leo Productions is good.
Mukunda Review - Analysis
After watching this
fresh faced romantic entertainer Mukunda, we are almost convinced that
Tollywood commercial film will be made only on one same old formula. Every
director who attempts at rom-com will have to use that basic formula to make a
happening love story. This film is no exception. The director’s nuances about
love stories are very clear. From what he has made in this film, one can easily
figure out what exactly he was trying to make. But its different point that he
have missed to catch the bus by couple of feet.
Mukunda has its moments in its initial scenes, but gets very boring post-intermission. The drama between the leads never builds up, nor does the story agrees to step ahead, resulting in a below average film, thanks to few songs! Watch it, if you really have to.
Mukunda has its moments in its initial scenes, but gets very boring post-intermission. The drama between the leads never builds up, nor does the story agrees to step ahead, resulting in a below average film, thanks to few songs! Watch it, if you really have to.